MICROPHONES
- Gefell UM70S
- Gefell MV691/M71
- Telefunken AR51
- Beyerdynamic m160
- Josephson C42 (2)
- Beyerdynamic M201 (2)
- AKG C451E/CK1
- AKG D-12 E
- EV RE-20 (2)
- Shure SM7b
- Sennheiser e902
- Blue B6 Lollipop
- Blue Baby Bottle
- AT 4033
- AT 4041 (stereo pair)
- Shure SM57 (a few)
- Shure SM58 (a few)
- MXL A55
- Beyerdynamic M-02
- Sennheiser e604 (3)
- Realistic 33-1090B PZM
- Concord mic for tape recorder
IN/OUT
- Lynx Aurora AD/DA
- Daking Mic Pres (8)
- Audient ASP 880
- Lynx AES16eSRC
- Neumann KH120 monitors
- Benchmark DAC-1
- Countryman Type 85 Active DI (2)
- Homebrew Jensen passive DIs
- FMR Audio RNP
- Baggs active PADI (2)
- Yorkville YSM-1p monitors
- Behringer Ultramatch Pro 24/96
MISC
- Mr Coffee BVMC-PJX-23
- Mackie MCU Pro
- Oz Audio HM-6
- Various headphones
- '70 Fender Vibrolux Reverb
- FMR RNC stereo compressor
- SWR Workingman's 12
- Roland U-20 synth
- Akai AX-60 synth
- i9 10900 DAW
SOFTWARE
Blue Baby Bottle
Again, bought this back in early aughts, pre-GC days when Blue was making mics in Latvia. It has a fairly flat, slightly mid-forward sound (meaning, it's not brittle and overly bright like many new mics), and a relatively wide pattern, which can take SPL. Although it's a large diaphragm condenser, it is not generally my first choice for vocals. In fact, I don't know if I've ever kept a vocal recorded on this. (though I will try it again some day I'm sure). But I have had good success with it on guitar and bass cabinets, as well as a room mic for drums. I've also tossed it in front of bright acoustic instruments to help even them out, and it works well for that. Not my first call mic, but it does have it's uses.