MICROPHONES
- Gefell UM70S
- Gefell MV691/M71
- Telefunken AR51
- Beyerdynamic m160
- Josephson C42 (2)
- Beyerdynamic M201 (2)
- AKG C451E/CK1
- AKG D-12 E
- EV RE-20 (2)
- Shure SM7b
- Sennheiser e902
- Blue B6 Lollipop
- Blue Baby Bottle
- AT 4033
- AT 4041 (stereo pair)
- Shure SM57 (a few)
- Shure SM58 (a few)
- MXL A55
- Beyerdynamic M-02
- Sennheiser e604 (3)
- Realistic 33-1090B PZM
- Concord mic for tape recorder
IN/OUT
- Lynx Aurora AD/DA
- Daking Mic Pres (8)
- Audient ASP 880
- Lynx AES16eSRC
- Neumann KH120 monitors
- Benchmark DAC-1
- Countryman Type 85 Active DI (2)
- Homebrew Jensen passive DIs
- FMR Audio RNP
- Baggs active PADI (2)
- Yorkville YSM-1p monitors
- Behringer Ultramatch Pro 24/96
MISC
- Mr Coffee BVMC-PJX-23
- Mackie MCU Pro
- Oz Audio HM-6
- Various headphones
- '70 Fender Vibrolux Reverb
- FMR RNC stereo compressor
- SWR Workingman's 12
- Roland U-20 synth
- Akai AX-60 synth
- i9 10900 DAW
SOFTWARE
Sennheiser e902
Kick/bass cab mic. I kinda dig this sound, it brings a bit more of the modern scooped thing, a nice counter to the D12 and RE20. But the low end is thumpy without being too wooly. In fact, lately my go to kick setup has been D12 inside, e902 outside, blend to taste, and I gotta say, it's really been working for me. Not bad on bass cabs either, although the RE20 , D12, and even the Baby Bottle night be the first ones I reach for there, this would do the job.