MICROPHONES
- Gefell UM70S
- Gefell MV691/M71
- Telefunken AR51
- Beyerdynamic m160
- Josephson C42 (2)
- Beyerdynamic M201 (2)
- AKG C451E/CK1
- AKG D-12 E
- EV RE-20 (2)
- Shure SM7b
- Sennheiser e902
- Blue B6 Lollipop
- Blue Baby Bottle
- AT 4033
- AT 4041 (stereo pair)
- Shure SM57 (a few)
- Shure SM58 (a few)
- MXL A55
- Beyerdynamic M-02
- Sennheiser e604 (3)
- Realistic 33-1090B PZM
- Concord mic for tape recorder
IN/OUT
- Lynx Aurora AD/DA
- Daking Mic Pres (8)
- Audient ASP 880
- Lynx AES16eSRC
- Neumann KH120 monitors
- Benchmark DAC-1
- Countryman Type 85 Active DI (2)
- Homebrew Jensen passive DIs
- FMR Audio RNP
- Baggs active PADI (2)
- Yorkville YSM-1p monitors
- Behringer Ultramatch Pro 24/96
MISC
- Mr Coffee BVMC-PJX-23
- Mackie MCU Pro
- Oz Audio HM-6
- Various headphones
- '70 Fender Vibrolux Reverb
- FMR RNC stereo compressor
- SWR Workingman's 12
- Roland U-20 synth
- Akai AX-60 synth
- i9 10900 DAW
SOFTWARE
Beyerdynamic m160
Well reputed ribbon mic, made its name by it's use on early classic rock records. A pair of these - and that's it - was used on Bonham's drums for "When the Levee Breaks". Eddie Kramer used a 160 in conjunction with a 421 on Hendrix's cabinet. This is a versatile mic, I would be comfortable putting it in front of about anything. I have a affinity for it on fiddles or bowed instruments. Somewhat unique in the world of ribbons, as it is not a figure 8, but a hypercardoid. It also doesn't look like most ribbons. But sounds fantastic.